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The 2000 Field Season
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The fourth and final field season
on the Pepper wreck finished in August 2000, at least in terms of the field work. It was sponsored by the Instituto
Português de Arqueologia (IPA), through its underwater archaeology department, the Centro Nacional de Arqueologia
Náutica e Subaquática (CNANS), and the INA. In this last season we were also sponsored by
MARCASCAIS, the company that manages the new marina of Cascais, where our boats were stationed. This wreck, thought
to be the remains of an early 17th century Portuguese East Indiaman was discovered in 1994.
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Our
facilities at Cascais's marina (Photo: Gui Garcia).
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Excavation began in 1996 and
yielded a collection of thousands of artifacts, as well as part of the hull structure. Objectives in 2000 were
to complete the recording of the remaining hull timbers to permit study, analysis, and partial reconstruction of
the hull.
Part of the timbers were raised,
and part left in situ under a layer of sand bags, protected from the strong dynamics of the sea. A
new area was inspected, a scarce 100 m from the SJB2 site, where timber remains had been spotted last winter by
our longtime collaborator and close friend Carlos Martins. A very experienced diver, Carlos Martins has
found most of the sites around São Julião da Barra, and has been our best guide to archaeological
sites on that rough bottom. A layer of sand no less than 2 m thick, as well as a strong current, prevented us from
reaching its level in the three trial trenches that we opened.
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Raising the starboard garboard plank (Photo: Gui Garcia).
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As it always happens in underwater
archaeology, the conservation work and analysis of the artifacts will go on for a long time, as well as the reconstruction
of the hull. In fact, the hull has shown to be the most important of the artifacts on this site. Although
it consists of a very small portion of the bottom of the ship, its timbers, with construction marks engraved on
their faces, speak volumes.
The wreck site is located within
an area that might be termed an archaeological complex, a relatively small stretch of sea bottom containing several
shipwrecks.
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The Pepper Wreck (Photo: Francisco Alves).
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The strong dynamics of the
sea and annual shift of sediments have combined to mix the artifacts of several shipwrecks, making this site
at once an interesting and rich ship graveyard, but also a true nightmare for archaeologists, since the material
culture represented in the collection of artifacts from this site encompasses a period of over 350 years. According
to a database generated by CNANS, many wrecks were lost at the mouth of the Tagus, a general designation that encompasses
a very extensive area. Fortunately, the area of the fortress of São Julião da Barra is small
and well defined and having such a precise toponymy, most vessels lost here are specifically referred to in official
documents as being lost off the fort, rather than at another, less precise designation.
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Large concretion at SJB1(Photo: Filipe Castro).
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The records often correspond with and explain the provenience of artifacts
retrieved or located near São Julião da Barra. These known wrecks date from the late 16th century to the middle 20th century (Table I).
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Table I
List of Wrecks in São Julião da Barra (Source: CNANS Database)
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Year
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Ship
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Provenience
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Comments
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1587
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San Juan Baptista
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Lisbon
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Near the fortress
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1606
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Nossa Senhora dos Mártires
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Cochin, India
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Under the walls of the fortress
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1625
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São Francisco Xavier
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Cochin, India
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Presumably near, south of the fortress
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1733
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Union
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St. Malo, France
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Near the fortress
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1753
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Dutch vessel
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Presumably near, east of the fortress
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1802
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English vessel
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Near the fortress
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WW I
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Maria Eduarda
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Viana, Portugal
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Presumably near, west of the fortress
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1966
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Santa Mafalda
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Near the fortress
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The first challenge of this
study has been the identification of the Pepper wreck, or SJB2 as it is designated in the map of the complex. One
important clue was a thin layer of peppercorns, covering the hull timbers and extending over a very large area
which contained a very homogeneous collection of artifacts dating from the late 16th century and early 17th century. The Chinese, Japanese, and Burmese
pottery found in the pepper layer can be dated from the late 16th and early 17th centuries, and bears a great resemblance to the collection of the Manila galleon San Diego, wrecked in the Philippines in 1600. The porcelains, from the Wan-Li period, date
from the 1590s and 1600s. An astrolabe found within the site bears the date of 1605, establishing the earliest
date for the wreck.
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Map of the site.
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The evidence we have uncovered
points to one particular vessel, the Nossa Senhora dos Mártires, a ship presumably
built in Lisbon and employed in the Carreira da India, the lengthy voyage between Goa and Lisbon. Mártires wrecked off São Julião
da Barra in 1606 on a return voyage from Cochim on the Malabar coast of India. The identity of the wreck as the
Mártires is reinforced by the presence of large quantities of peppercorns, indicating a bulk
cargo of pepper, and therefore an Asian origin for the trip of the wrecked vessel. A study of the woods utilized
- cork oak (Quercus suber) and umbrella pine (Pinus pinea) - and the scantling dimensions leave
no doubt that this is a Portuguese built hull (Tables II and III).
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The date engraved on astrolabe "SJB III" is the date of the departure
of the N.S.Mártires to India (Photo: Pedro Gonçalves, CNANS).
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Table II
Units in use in Portuguese Shipyards on the 16th and 17th centuries
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Unit
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16th/17th c. equivalent
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SI equivalent
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Palmo de vara
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1/7 of a rumo
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22 cm
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Palmo de goa
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1/6 of a rumo
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25.67 cm
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Vara
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5 palmos de vara
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1.10 m
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Goa
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3 palmos de goa
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77 cm
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Rumo
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2 goas, 6 palmos de goa, or 7 palmos de vara
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1.54 m
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Polegada comum
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1/8 of a palmo de vara
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2.75 cm
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Polegada de goa
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1 palmo de goa - 1 palmo de vara
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3.67 cm
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Table III
SJB2 scantlings
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Timber
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Wood
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Sided dimensions
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Molded dimensions
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Keel
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Cork oak
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25 cm
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Not preserved
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Floors
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Cork oak
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23-25 cm
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23-24 cm
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Futtocks
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Cork oak
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21-25 cm
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23-24 cm
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Planking
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Umbrella pine
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20-35 cm
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11 cm
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Apron
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Cork oak
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38 cm
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25 cm
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Room-and-space
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46.2 cm on average
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During the 16th and 17th centuries a small fleet would leave Lisbon for India
almost every year, making the India route the longest regular route of its time. The ships were designed and built
specifically to sustain a six-month-long trip.
These vessels had to offer enough space for their crew and passengers,
together with their victuals, and leave enough free space for the large amounts of merchandise brought back on
the return trip. Their main cargo - peppercorns - was a very light commodity to store in the holds, especially
if these vessels were to carry heavy artillery on the upper decks.
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The India Route.
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Therefore, a large amount of ballast had to be added, creating an even greater
demand for space in the holds.
All things considered, it seems incredible that the average late
16th century India route nau had a keel length of less than 30 m (100 ft.).
The illustrations of these early 17th
century India route naus are scarce and generally inaccurate, but
we are lucky to have a few late 16th and early 17th century texts that discuss the conception of these ships. Four texts are especially important
and deserve mention here, since I have drawn much from them in the reconstruction of the hull remains.
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Design
of the bottom of a ship after father Fernando Oliveira.
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The first is known as the Livro da Fabrica das Naus, written
in Portuguese by a priest and adventurer named Fernando Oliveira around 1580, being a translation of a previous
work of his, Ars Nautica, written in Latin, whose manuscript is in the University of Leiden, and has been dated
to around 1570.
The second is an anonymous list of the timbers necessary to build a three-decked,
600-ton nau for the India route part of a codex of Lisbon's National Library, dating from the 1590s, known as the
Livro Náutico.
The third is a manuscript titled Livro Primeiro de Arquitectura Naval,
and consists of an incomplete recipe for the building of a four decked nau written around 1610 by João Baptista
Lavanha, engineer of the kingdom, mathematician
and author many other books. The fourth is perhaps the most
interesting and elusive of them all, since the author is virtually unknown in spite of the magnificent self-portrait
and signature with which he opens his book.
It is called Livro de Traças de Carpintaria, dated 1616, and signed by a Manoel Fernandez, shipwright.
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Based on the common characteristics
mentioned in these texts we have a fair idea of how these vessels were designed and built. However, when it comes to details,
we have few certainties, many doubts, and a great deal of ignorance about the shipwright's methods, techniques,
and practices. This is why archaeology is such an important discipline.
The remains of the SJB2 hull
consisted solely of a portion of the keel, eleven frames, an apron, and an area of planking covering around 12
by 7 meters. However, the marks of the iron spikes with which the planks were nailed to the frames
showed a clear pattern, and helped us to determine the position of another fourteen frames.
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Ilustration from Manoel Fernandez' Livro de Traças de Carpintaria.
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Before starting the reconstruction
of the hull I have performed a series of checks on the accuracy of the 1997 site drawing, comparing the measurements
of the timbers raised in 1999 and 2000 with its equivalent in the scale 1/10 plan made during the 1996/97 field
season, by reducing a large number of
1/1 drawings made over plexiglas slates on the bottom. I
found a discrepancy of 5 cm in the longitudinal direction, over a distance of 12 m, representing an error of less
than 0.5%, and of 3 cm in the transverse direction, representing again less than 0.5% error in the overall measures. The
position of each spike hole in the planking was checked on the north half of the wreck by an independent team,
but this was only partially done on the southern half, leaving a few - not very important - doubts here and there.
The presumed positions of the
above-mentioned fourteen frames marked on the planking were strongly reinforced by the existence of a number of
interesting surmarks on the floors and futtocks. Once analyzed, the positions and meanings of
these marks give us a very clear picture of the principles that guided the conception and construction of this
vessel.
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The
Pepper Wreck (1999 plan).
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Master
frames' position, as indicated by the spike holes on the planking.
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South frames' position, as indicated by the spike holes on the planking.
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As mentioned above, eleven
contiguous floor timbers were preserved over the keel, growing in their molded dimensions from
the north to the south, in the direction of the bow. They showed four types of surmarks (Table IV): a
sequential numbering in roman numerals; a series of marks that seem to have no precise meaning, presumably resulting
from scratching during the construction process; a series of vertical lines, marking the edges - in Portuguese
astilhas - and the axis of the keel; and a series of lines marking other construction features.
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Marks indicating the keel axis and sides on floor timber C2. (Photo: Miguel Aleluia).
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Of this last group, four vertical lines are clearly placed on what I believe
to be the turn of the bilge points, and another three deserve a closer look, since their meaning is not clear at
this point.
Two are also vertical marks on the aft face of floor timbers C2 and C3, and
the third is a line on the base of floor C3.
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Table IV
Surmarks (1)
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Floor
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Number
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Marks
with no obvious meaning
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Keel
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Lines
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C1
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C2
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'X'
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Curved groove on PS
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Axis & edges
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63 cm to PS
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C3
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'VIIII' (2)
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Curved groove on PS
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159 cm to PS, 169 cm to SB (vertical) & 108 cm (on the base)
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C4
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189 cm to SB (4)
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C5
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193 cm to SB (4)
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C6
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197 cm to SB (4)
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C7
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'V' (3)
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200 cm to SB (4)
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C8
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'IIII'
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C9
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'III'
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Axis & edges
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C10
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Axis & SB edge
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(1) Positions: all marks on the aft face of the timbers, except the one on the base
of C3; PS - Port side; SB - Starboard
(2) Incomplete
(3) Inverted
(4) Presumed to mark the turn of the bilge
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All four texts mentioned above
describe the process of building the hull that is generally known as skeleton-first, or frame-based, as it is perhaps
more accurate to say. In this method - typical from the Mediterranean tradition and already many centuries
old in the 16th century
- the central section of the hull was defined through a certain number of pre-designed and pre-assembled frames
that were mounted over the keel.
The widest frame (or frames) of this group was generally placed
in the center and called midship frame(s), or master frame(s). The last of these pre-designed
frames, fore and aft, were called tail frames.
The fore and aft 'ends' of the hull, called delgados in Portuguese, were defined
by a series of ribbands that ran from post to post, and over these central, pre-designed frames, to ensure that
the planking would have smooth runs and would not endure unnecessary stresses during its lifetime. At
the same time this system ensured that the bow and stern would have beautiful and fair shapes, cutting the water
easily, and avoiding any turbulence around the rudder. The remaining frames may have been shaped and
fitted only after all the ribbands were set in place. In this system of construction shipwrights did
not depend on drawings to define the shape of the pre-designed frames. Their shapes were obtained from
a rectangular mould and set of gauges, called graminhos, which determined the rising of the bottom
and its narrowing, from a maximum width at the flat midship frame to the 'V' shaped minimum width and maximum rise
at the tail frames.
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Following a very simple procedure,
the total rising or narrowing was divided by the number of floor timbers over which it was to be distributed by
a simple algorithm called besta (cross-bow) in Portuguese, the equivalent of the Italian mezzaluna. This algorithm was therefore utilized
to build a gauge, called graminho,
with the full scale measures to be added or subtracted from the main mold of the midship floor.
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Typical
rising and narrowing of the bottom indicated in the Portuguese texts.
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When I measured the molded dimensions of the floors over the keel, and plotted
their heights together with their respective sequential numbers, I have obtained a series of values that followed
very closely the rising of the bottom recommended in Oliveira's Livro da Fabrica das Naus (Table
V) for a nau of 18 rumos of keel.
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Table V
Hight of the floor timbers measured over the keel
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Floor
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Number
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Hight over the keel
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Theoretical values after Oliveira
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C11
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I
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25.8 cm
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C10
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II
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31 cm
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26.4 cm
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C9
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III
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25 cm
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27.2 cm
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C8
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IIII
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27 cm
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28.5 cm
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C7
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V
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36 cm
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30.0 cm
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C6
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VI
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31 cm
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31.9 cm
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C5
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VII
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35 cm
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34.0 cm
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C4
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VIII
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37 cm
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36.5 cm
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C3
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VIIII
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39 cm
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39.2 cm
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C2
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X
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42 cm
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42.1 cm
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C1
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XI
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46 cm
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45.4 cm
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According to Father Oliveira,
an India route nau must have 18 rumos of keel, three midship frames, and 18 pre-designed frames before and abaft these three
master frames. The total rising of the bottom should be the equivalent to one room-and-space to the
bow, and one and a half room-and-space to the stern. I moved on to varying the number of pre-designed frames, as
well as the value of the rising, since the Livro Náutico determined that an India nau
should have one single master frame, and 17 pre-designed frames before and abaft of the master frame, and the rising
being three palmos de
goa - one rumo equaled six palmos de goa - to the stern (the rising in the direction of the bow is not mentioned). Lavanha's Livro Primeiro indicates only one
master frame and five pre-designed frames fore and aft, but mentions an old method with 15 pre-designed frames
to each side of a single master frame.
Fernandez's Livro de Traças indicates
also 15 pre-designed frames to each side of three master frames.
After considering all sets
of values I could find, it still looked very much like Oliveira's pattern was the recipe utilized in the conception
of the bottom of what we presume to be the nau Mártires. It must be stressed here that
the spike marks on the northern planking show clearly a set of three floors placed together, to which should be
assigned the number zero, if the numbering order observed in the preserved ones is considered.
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Rising
of the bottom.
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Following this line of reasoning,
I then tried to relate some of the vertical marks observed on the floors with a few theoretical curves drawn from
Oliveira's book for the narrowing of the bottom. Again, if considering three master frames, as
seems to have been the case, four consecutive marks match within 1 cm the expected values for the turn of the bilge
(Table VI), when a flat of 2 2/3 rumos (4.11 m) and a total narrowing of 1/6 of the flat along the pre-designed 18 frames
are considered.
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Narrowing of the bottom.
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Both these values of the flat of the midship frames, or plão, as it was designated
in Portuguese, and the total narrowing, are perfectly within the values indicated by Father Fernando Oliveira. For
a length of keel of 18 rumos (27.72 m), the stem should spring forward 6 rumos (9.24 m) and the sternpost
rake abaft 1 palmo for each 4 or 4.5 palmos of length, which makes a rake of around
1.3 to 1.5 rumos (2.05 to 2.30 m).
Oliveira says that the midship frame should have a maximum breadth
at the second deck of between 1/3 to 1/2 the keel length or, in other words, 6 to 9 rumos (9.24 to 13.86 m), and
8 rumos (12.32 m) as a fair value. He then goes on stating that the flat of the
midship should be between 1/3 and 1/2 of the maximum breath, which is, for the 8 rumos established, 2.67 to 4 rumos (4.11 to 6.16 m).
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Table VI
Narrowing of the bottom
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Floor
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C4
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VIII
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189 cm
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189 cm
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C5
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VII
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193 cm
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193 cm
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C6
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VI
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197 cm
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196 cm
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C7
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V
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200 cm
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199 cm
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Recording and reconstructing
the shape and size of the 39 central frames is only the first step in the reconstruction of the entire hull. The
next step was to analyze the curvature of the preserved futtocks, and try to determine how the midship section
was designed, at least to the water line.
From there it was possible to conjecture a plausible shape of the
hull to the water line, and also an acceptable full volume of the hull. The positions of the hatches,
pumps, capstans, and maststeps are fairly well defined in the texts above mentioned, as well as the size and shape
of the fore and aft castles, the size and rake of the main mast, and the length of the remaining masts, as well
as some of the yards. Many questions remain to be answered though, and many more will certainly appear as
the reconstruction work evolves.
This is why a wreck can be
such a thrilling object to study.
Hopefully, when it is finished, it will provide a basis for analyzing
and further our understanding of similar vessels.
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Acknowledgements
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The list of people whose support was critical for the conclusion of the 1999
and 2000 field seasons of the Pepper Wreck project is too long to fit here. I will start with Carlos Martins
and Augusto Salgado, the skilled divers who always covered my back when I was short of personnel and who covered
the surveying, digging, measuring, drawing, and photographing in whatever weather conditions. Then Mónica Belo e Gonçalo
Caldeira, two hard workers whose enthusiasm never faded. I must also recognize the CNANS team, of which
Miguel Aleluia, the resident Rock of Gibraltar, deserves the largest share of the merits for his competence, indefatigable
strength, and infinite wisdom.
As to the institutions involved, I must start with CNANS and Dr.
Francisco Alves, for the all the support and the patience, always backed by his IPA directors, Dr. João
Zilhão and Eng. Monge Soares.
Then I must thank the Portuguese Navy for all the help granted,
specially the Direcção de Faróis and the cabinet of the Almirante Chefe de Estado Maior da
Armada. Finally I want to express my gratitude to the direction of MARCASCAIS and all their personal for the
extreme patience towards our schedule.
Finally, the INA and the Texas A&M University Nautical Archaeology
Program, for support of this project.
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This text was printed in a simplified version in: Castro, Filipe, "The last field season on the
Pepper Wreck: A Preliminary Analysis of the Hull", INA Quarterly, (Winter 2000), 27.4:3-9.
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